20:I[69382,["/_next/static/chunks/0~il-wa1bfm~l.js","/_next/static/chunks/0akm4z0-difkh.js","/_next/static/chunks/0a2pk4a~q1_~m.js","/_next/static/chunks/0mz1xh5byqvl3.js","/_next/static/chunks/0u.qcqk49akrp.js","/_next/static/chunks/0abr8c-20lwt4.js"],"default"] 1e:["$","link",null,{"rel":"canonical","href":"https://artogenia.com/product/aps-0111188/shadow-5-art-painting-by-nasrin-mohammadi"}] 21:T468,In this captivating piece, created using oil on canvas, I delve into the intricate stories that arise from my experiences as an Afghan artist confronting the harsh realities of life. The color palette is both vibrant and subdued, reflecting a spectrum of emotions—from the starkness of struggle to the warmth of hope. Deep, rich hues intertwine with delicate pastels, creating a contrast that draws viewers into a world of contemplation. The intricate patterns adorning the hands serve not only as decorative elements but as symbols of identity and cultural heritage, embodying personal stories and collective memories. These patterns evoke a sense of history, intertwining the past with the present and inviting viewers to explore themes of resilience and beauty. The striking depiction of the black bird perched upon the hand serves as a powerful metaphor for freedom and the weight of expectations. The glossy texture of the oil paint captures the light, adding depth and dimension to the composition. Each brushstroke is deliberate, conveying a sense of movement and life, as if the subject breathes through the canvas.22:T54f,

Nasrin Mohammadi, an Afghan artist, was born on August 27, 1984, in Herat, Afghanistan. She privately studied painting in Mashhad and has been working in this field for over 20 years.
On May 26, 2023, she held her first solo exhibition titled "Shadow" at the Bon-Bast Gallery in Mashhad. The works presented in this collection, characterized by a realist style with a touch of surrealism, reflect her personal experiences and emotions. The Khorasan Newspaper highlighted the "Shadow" exhibition on June 15, 2023.
The "Shadow" series narrates the stories of women who, in their pursuit of unattainable security, are both present and absent—unrecognized by geographic, gender, and political identities. Nasrin Mohammadi’s realist paintings depict faces, Afghanistan’s indigenous culture, and social issues, without the interference of her imagination or personal interpretation. Each subject is presented as seen in the real world.
While symbolism emerged as a reaction to realism and impressionism, Mohammadi uses symbols to convey meanings indirectly. Her mastery in creative execution, understanding of composition, and use of improvisation make her art a voice for her fellow Afghans and a reflection of the social and personal impacts she has experienced throughout her life.