18:T494,"Evry thing is perfec" (intentionally misspelled as depicted within the artwork) is a 2024 painting executed with acrylic on canvas, measuring 100 x 80 cm. This captivating piece challenges conventional notions of perfection, using its deliberately flawed title as an entry point into the chaotic and layered visual narrative. The composition features an array of overlapping textures, swirling patterns, and repeated motifs of eyes, symbolizing constant observation, self-awareness, and societal scrutiny. The bold central spiral draws the viewer’s gaze inward, echoing themes of introspection and cyclical thought processes. The interplay between the chaotic background and the fragmented yet insistent text creates tension, blurring the boundary between clarity and disorder. Bright floral patterns emerge amidst the darkness, suggesting moments of beauty and growth within turmoil. The scattered, layered writing and imagery evoke the complexity of human emotions, where flaws and imperfections are integral to the idea of being "perfect." This thought-provoking work reflects on the human condition, presenting a raw and honest portrayal of beauty in imperfection.19:T60a,

Fargol Mousavi
Born in 1992
Tehran

Graduated in Theater Directing from Soore University, Tehran.
I have been painting consistently for the past four years. The exercises I practiced during my theater studies had the greatest impact on my perspective toward the phenomena around me and, consequently, on the subjects of my paintings.

Over these years, most of my activities have been in the fields of theater, dramaturgy, and directing performances. During this time, I have completed two painting collections titled "Composing" and "Presence – Untitled" and am now starting a new series titled "Campers."

In fact, my work in dramaturgy is not unrelated to my approach to painting. Both, in a way, aim to disrupt the existing order. This disruption, for me, has always been a source of inspiration, a kind of colorful revoluti