Hamidreza Behzadinezhad

Repair of documents and manuscripts (cellulose materials and leather)
Born on Tir 8, 1357 in Mashhad

(Educational records and art degrees)
+ Traditional graphic design from Astan Quds Razavi Academy of Traditional and Islamic Arts in 1374
He has an artistic degree from the country's artist evaluation organization in the field of leather burning

(Description of activities)
More than 20 years of experience in examining works, archives, documentation, pathology, preservation and restoration and restoration of precious documents.
Experience in the field of restoration of manuscripts.

(experience records)
Restoration of documents and manuscripts of the Astan Quds Razavi Library of the Department of Document and Manuscript Protection since 1372 for 7 years.
Restoration of documents and manuscripts of works of painting, leather, wood, bone in the Cultural Heritage Organization of Khorasan Razavi Handicrafts and Tourism in 1381 for 4 years.
Launching the first paper restoration site in Ferdowsi Mausoleum in 1382
Received the UNESCO certificate of authenticity in the field of leather making, revival of the art of leather burning in 1385
Setting up a papier-mâché workshop, making different containers with paper pulp including (pencils, mirror frames, dishes) in traditional arts creation centers (Khane Malek) in 1383 to 1385
Supervisor of the painting and leather workshop in Malik House for 2 years
Lecturer at Neishabur University (in the field of paper paintings) in 1387 and 1388
Received more than one hundred appreciation letters from government organizations

(Art activities)
Setting up a traditional paper making workshop (making handmade paper with natural fibers)
Revival of leather embossing (inspired by Safavid and Qajar era embossing) and execution of exquisite leather embossing panels in a completely unique way.
The writing of 1 exquisite Qur'anic Mushaf with a mass cut method (the smallest Quran in Islam on one page) 170 x 90 centimeters in the handwriting of Osman Taha and another Mushaf in the Nastaliq calligraphy of Master Hossein Mirkhani
Preparing and writing the first fully illustrated university reference book
Reviving the technique and writing of nail calligraphy inspired by the Qajar period and holding an exhibition and presenting more than 30 works in Farrokh Gallery, Razavi Khorasan province in 1383.
Holding 15 individual exhibitions of leather and papier-mâché works and restoration works in Mashhad, Tehran (National Museum of the Qur'an), Malaysia, Pakistan, Tajikistan and...
Participation in 20 group exhibitions in Mashhad, Tehran, Isfahan and....
Setting up a workshop for the manufacture of leather covers (including exquisite fuel covers, striking covers, lacquered covers, velvet covers, etc.)
Holding a specialized exhibition of exquisite leather covers in the cultural and historical complex of Niavaran Palace in November 1400

(Part of the specialized records of restoration of books and documents)
Restoration of a 6 meter and 57 cm long family tree belonging to Sake Shirvan village related to 920 AH in 1383.
Restoration of 2 very exquisite Qurans belonging to the 7th century of the lunar Hijri (Seljuq period) from the collection of Sheikh Ahmad Jami's tomb in the year 1383.
Restoration of 3 scrolls containing prayers with a historical value of 500 years from the manuscript repository of Khorasan Razavi Cultural Heritage Organization in 1385.
Extracting leather musk from the soil belonging to the Sassanid period in the protected area of Bandian Dargaz in 1383.
Restoration of the Qur'an cut out of the exquisite lacquered cover belonging to the Safavid period (complete restoration of the work) in 1382.
Restoration of more than one hundred works of painting (watercolor and gouache) and calligraphic markers of different historical periods from the manuscript collection of Khorasan Razavi Cultural Heritage Organization of Ferdowsi Mausoleum between 1380 and 1382.
Restoration of the 2nd Mushaf of the Qur'an in a completely damaged form and complete restoration of the copy and cover related to the Safavid period in 1388.
Restoration of the royal order of 1219 AH, the size of the work is 100 x 55 cm. Complete fragility of the texture of the work, complete lamination and reconstruction of the work in 1397.
Restoration of several lacquered volumes and notebooks of different historical periods (Safavid, Qajar) personally between 1393 and 1396
Restoration of more than 50 manuscripts and documents of historical supplications, royal decrees and endowment letters from the manuscript collection, Astan Quds Razavi Central Library, manuscripts department from 1376 to 1382 and the manuscript repository of the Organization of Cultural Heritage, Handicrafts and Tourism from 1382 to 1382
The restoration of the Quran related to the 6th century of the lunar calendar and the complete reconstruction of the volume of 35 x 50 centimeters with 600 pages.

(miscellaneous)
The first official recruitment in the Cultural Heritage, Handicrafts and Tourism Organization by the Honorable Vice President Mr. Marashi in 2014.
Education and training of more than one hundred students in the field of traditional and Islamic arts during the period of artistic activity.
Trained by grand masters, the late Mustafa Mehdizadeh (calligraphy), master Mohammad Ali Farasti (calligraphy), master Dara Afshar (professor of Iranian painting and papier-mâché and lacquer works), master Dr. Hamid Lotfi (repair of calligraphy and calligraphy), master Ahmad Taliban (repair of manuscripts and manuscripts), late master Behrouz Amo Oaghli (repair of works and objects) and master Mahmoud Tavakoli (painting).

Leather-cut Calligraphic Mosaic Ar...Leather-cut Calligraphic Mosaic Art - Holy verses of Abas

Hamid Reza Behzadi Nezhad